I have a (now older) Canon PowerShot S5 with which I take just about every image in this publication. The camera definitely has some limitations but I’ve learned my way around those I can learn my way around so we rub along reasonably well together.
But one of those limitations makes me crazy when I’m taking pictures of quilts-in-progress for upcoming books. As well as this little camera does with outdoor shots, it’s pretty awful when in comes to handling the lower light indoors.
And that, of course, is where I make my quilts.
That’s where my Epson printer/scanner/copier comes in.
I gotta tell you, back when scanning technology first took its place in the world of desktop publishing, it was one finicky, expensive process. There was no way most individuals could afford the machines you needed to get color just right, to control lighting, to compensate for moire patterns. You needed high-end electronics and experts to run them.
Which is why I appreciate the scanning capabilities of my Epson. The images I get from this $207 machine rival those that used to come from the bigger machines. So now, instead of fussing and fuming over over lighting—too dark, too much glare, too dim—I take the smaller pieces of my quilts-in-the-making, lay them on the glass of this machine, sit at my computer and voila, great images.
If they made quilt-sized scanners, I’d be tempted to eliminate camera work all together.
Some technological advances are worth applauding.